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Tuesday, June 16, 2009

Grant Associates - Gardens by Bay

Last week Grant Associates relaunched their website with lots of new pictures and an updated portfolio.


::Image from Grant Associates

I had been anticipating the new website since last year when I attended Andrew Grant's lecture on sustainable landscapes as part of the University of Gloucestershire's Sustainable Landscape Series. During the lecture Grant discussed in depth one of his flagship projects: Gardens by the Bay in Singapore, currently under construction.

::Image from Grant Associates

Gardens by the Bay is made up of three new waterfront gardens in the heart of Singapore and will redefine the city as one of the world's premier garden cities. Grant Associates is responsible for the Marina South Gardens and has created a design centered around two conservatories that allow the cultivation of plants that would not otherwise grow in Singapore. As described on the website: "The dual theme of Marina South is ‘Plants and People’ and ‘Plants and Planet’. Each narrative encompasses the length of the gardens, with the Conservatories providing the focus and main educational message."

::Image from Grant Associates

::Image from Grant Associates

Another feature of the garden is spectacular Supertrees, 25 to 50 meter iconic structures that also act as "environmental engines" for the conservatories by harvesting rainwater, solar energy and providing ventilation.

::Image from Grant Associates

A stunning video used during the competition stage presents the winning entry:

Sustainable Landscape Series

::Image via Gloscape
I wanted to draw attention to the excellent series of lectures that took place at the University of Gloucestershire this year as part of their Sustainable Lecture Series. Through 6 public lectures, leading landscape architects aimed to explore the question "What is a sustainable landscape". Streaming video of all of the lectures is available from Gloscape, the landscape architecture page of the university with lectures from:

MoPo 2009

Compiled by Eikongraphia, MoPo is the listing of the most popular weblogs on architecture written by a single writer. I thought I would include this in addition to the list I recently posted as it does contain quick a few I had not mentioned.

1. BLDGBLOG
2. Archidose
3. City of Sound
4. Architecture.mnp
5. Pruned
6. Architechnophilia
7. Tropolism
8. Architectural Videos
9. Mirage Studio 7
10. Super Colossal
11. Subtopia
12. Landscape+Urbanism
13. Sit down man, you’re a bloody tragedy
14. Architecture Chicago Plus
15. Lebbeus Woods
16. Strange Harvest
17. Life Without Buildings
18. Eye Candy
19. Design with Intent
20. Earth Architecture
21. Anarchitecture
22. Hugh Pearman
23. Brand Avenue
24. a456
25. The Arch

Design with Intent

I recently came across Dan Lockton’s blog Design with Intent. His blog focuses on design that influences behavior and an introductory slideshow is accessible here. His latest post is a review of an article by Robert Fabricant, the creative director of FrogDesign in NY, a leading international design firm.

Rolls Designers

In his article, Robert Fabricant addresses whether designers should work towards behavioral change and how this can be achieved through design. He starts by defining User Centered Design (UCD), the central idea of which is: "designers create experiences based on a rich and nuanced understanding of observed and implied user needs over time.” In User Centered Design, the designer places “users at the center and develop[s] products and services to support them. With UCD, designers are encouraged not to impose their own values on the experience.

Robert Fabricant stresses that UCD "served the design community well" but that recently “issues of sustainability and social change are forcing designers to reconsider their detached role. Many are adopting new modes of direct engagement and influence.” He cites examples such as the Rockefeller Foundation and the Bill & Melinda Gates Foundation, “Institutions that drive the global social innovation agenda” and who are taking an interest in such design processes as an example of the shift away from UCD. He also mentions students of the Industrial Design Department at TU Delft who are encouraged to incorporate “societal transformation” into their work.

I personally became aware of these issues when working on some of my university projects. When incorporating allotments into a new community for local food production or when thinking of waste management, it was obvious to me that I was effectively “designing with intent” and enforcing sustainable “values” on the future residents. More importantly, the success of such a design would be dependent on how well the residents would adapt to the sustainable lifestyle the design encouraged.

In his article, Robert Fabricant then goes on to distinguish three new design practices that illustrate this shift: Persuasion Design, Catalyst Design and Performance Design.
  • Persuasion design attempts to achieve positive behavior change by using various methods of influence and choice architecture.
  • Catalyst Design is where the “designer[s] plays an active role[s] (albeit different ones) in engaging communities to change their own behavior using participatory design methods. [He] becomes a catalyst[s] for additional change.”
  • Performance Design involves the designer becoming immersed in the lives of those he is designing for. By “performing” just as a method actor would and empathizing with those he is designing for, the designer can identify how he can influence behavior successfully.
I can think of numerous cases where the landscape architect can be faced with design choices that would fall under the persuasion design category; where the consultation process would fall under catalyst design and where the evolution of a design whilst on site would constitute performance design.

Robert Fabricant calls this shift away from UCD “direct behavior design”, which as Dan Lockton puts in his review, can be “redolent of determinism in architecture, or the more extreme end of behaviorism”. The decision to actively influence behavior by design can and should make the designer question his integrity and his intentions. These are issues the landscape architect is faced with and both Robert Fabricant's article and Dan Lockton’s review are compelling reads in helping understand this.

More High Line

There is a great new series of pictures over at Inspiration Wall on some of the detailing of the High Line.

Monday, June 15, 2009

New York - The High Line

In the few days following the closure of Broadway to cars. I started coming across pictures of the design for the new High Line Park also in New York. The High Line is a disused aerial rail track in New York City.

::Image by Joel Sternfeld

The first time I became aware of the High Line was in an episode of the TV series CSI (I think one of the baddies had buried passports and money within the overgrowth). I instantly thought the place looked pretty special, but had no idea that a complete redevelopment was in the works.

High Line from Ben Wu on Vimeo.

Some additional visuals of the design via thehighline.org:



Last week amidst lots of media coverage the new High Line Park was reopened and it has been getting excellent reviews.

:: Images vie NYTimes
Hopefully, these recent developments are a sign of things to come and represent a real awareness of the need for quality public space and green infrastructure. The work of Jeanette Sadik-Khan, the New York transportation commissioner and Joshua David and Robert Hammond, the founders of Friends of the High Line, will hopefully set the trend for many other inspirational projects in New York and beyond.

Sunday, June 14, 2009

New York - Broadway

In the past few weeks there have been lots of cool and exciting things happening in New York. In itself, this is no big surprise. However, it did come as a surprise when I first heard that Times Square was being closed to traffic. Even more so, when I saw the first pictures of the event during the next few days.

:: Image via NYTimes

The sight of people in fold-out chairs enjoying and reclaiming the space under the neon signs where traffic previously roared was truly spectacular.

::Image via NYTimes

::Image via Nickdigital

Thursday, June 11, 2009

The Aurland Lookout

For my first proper post I though I would write about one of my personal favorites, the Aurland lookout in Norway by Todd Saunders and Tommie Wilhelmsen. The Aurland lookout is a 30 meter long timber ramp that invites visitors to advance into the open space and discover spectacular views of one of the largest fjords of the west coast of Norway.

Oddly enough the last time I thought of this particular project, I was sat in the shade of a tree on a very warm day in Joyner, Qld. This tree was on the edge of a path that separated a rugged expanse of bush from the One Mile Country Club and its perfectly manicured golf course.

Sat there looking at these two distinctive landscapes, I began to think that despite two very contrasting qualities, both landscapes offered incredibly beautiful sights.

In my personal experience, there is a tendency to oppose landscapes perceived as “natural” and landscapes that are considered “man-made”; with many considering what is “natural” to be more beautiful than what is man made. In this case however, despite these two landscapes being at the polar opposites of this “natural/man-made” spectrum, it was beyond me to say one was more beautiful than the other.

This made me consider what I should be looking to achieve as a landscape designer with regards to aesthetics. Should I prefer a "natural" aesthetic to a designed, "man-made" aesthetic? Should I prefer "man-made" to "natural"? Should I combine the two? This initially led to three simple thoughts on how the “natural/man-made” balance could influence the aesthetic of a place:
  • A case where in the composition of the landscape, the “man-made” element is largely responsible for the beauty of the landscape. The aesthetic contribution of the "man made" element is superior to that of the "natural" element.
  • A case where in the composition the natural element is largely responsible for the beauty of the landscape. The aesthetic contribution of the "natural" setting is superior to that of the “man-made” element.
  • A case where in the composition of the landscape both elements combine equally to create a beautiful landscape. Neither the “natural” nor the “man-made” element is aesthetically superior.
Although these three distinctions can make sense theoretically, it is perhaps not so obvious to understand their application in practice; in fact they are overly simplistic. Additionally, a priori none of these combinations seem necessarily more beautiful than another.

Nonetheless, to me this highlighted the definite value for designers to develop a sensitivity towards these considerations. It is important to recognize the aesthetic value of a landscape previously untouched by the designer and to recognize when and where introducing new, "man-made” contributions is beneficial and when and where it is not.

It is in using this sensibility that the landscape designer successfully creates beautiful landscapes where through his influence, the natural and the made-man combine to transcend their individual beauty. It was when trying to imagine a good example of this that I thought of the Aurland lookout; in my eyes one of the finest displays of the use of such sensitivity.

:: All images by Todd Saunders

Wednesday, June 10, 2009

A few links

I thought I would post a few links to blogs that have provided me with much food for thought and have inspired me to create my own:

http://landscapeandurbanism.blogspot.com
http://vegitecture.blogspot.com
http://www.pruned.blogspot.com
http://www.designundersky.com
http://lisastown.com/inspirationwall
http://dirt.asla.org
http://bldgblog.blogspot.com
http://www.inhabitat.com
http://landscapearchitecture.tumblr.com
http://www.planetizen.com
http://theconvertedlandscape.blogspot.com

Thanks to all responsible for these sites as they have been, and will no doubt continue to be a valuable resource. I have also posted a more exhaustive and permanent set of links on this page.

My Pensieve

Welcome to From Contours, a blog about everything and anything related to Landscape Architecture, Urbanism and Sustainable Design.

Hopefully, this blog will be my equivalent of Dumbledore’s pensieve (from the Harry Potter books) and will be a record of the thoughts and influences that guide me as a budding designer.

Image from Harry Potter and the Goblet of Fire. Warner Bros. Pictures

I hope this blog will be enjoyable and informative and I encourage anyone to react and comment on it as they please.